bio
SELECTED PRESS
Smith, Roberta, et al. “What to See in N.Y.C. Galleries Right Now.” The New York Times, The New York Times, 18 May 2022,https://www.nytimes.com/article/new-york-art-galleries.html.
Wu, Danielle. “Why Is Being an Asian-American Woman in the US Still a Danger?” South China Morning Post, 19 Apr. 2022,https://www.scmp.com/lifestyle/arts-culture/article/3174667/why-being-asian-american-woman-us-still-danger-art.
Kaur, Harmeet. “The Art Gallery Where Christina Yuna Lee Once Worked Honors Her Life and Legacy.” CNN, Cable News Network, 18 Apr. 2022,https://www.cnn.com/style/article/christina-yuna-lee-art-exhibition-cec/index.html.
“Christina Yuna Lee Honored with Exhibit in West Village Art Gallery.” ABC7 New York, WABC-TV, 16 Apr. 2022, https://abc7ny.com/christina-yuna-lee-art-exhibit-west-village-chinatown/11753518/.
Gaskin, Sam. “Christina Yuna Lee, Art Worker Murdered in New York, Remembered at Eli Klein Gallery.” Ocula, Ocula, 12 Apr. 2022,https://ocula.com/magazine/art-news/christina-yuna-lee-memorial-exhibition/.
Wong, Harley. “A Moving New Exhibition Pays Tribute to Christina Yuna Lee's Start in the Art World.” Artsy, 11 Apr. 2022, https://www.artsy.net/article/artsy-editorial-moving-new-exhibition-pays-tribute-christina-yuna-lees-start-art.
New American Paintings, Issue 147, April. 2021.
“6 AAPI Artists Reflect on the Spike in Anti-Asian Violence.” Artsy, 30 Mar. 2021. https://www.artsy.net/article/artsy-editorial-6-aapi-artists-reflect-spike-anti-asian-violence
Waxman, Lori. “stephanie mei huang.” 60 Wrd/Min Art Critic, 2 Oct. 2020. https://60wrdmin.org/artwork/4801840_Stephanie_Mei_Huang.html.
Almino, Elisa Wouk. “Seven Asian Women Artists Discuss Racism and Tokenism in the Art World,” 7 July 2020. https://hyperallergic.com/575433/hyperinvisibility-panel-contemporary-calgary/
CV available upon request.
stephanie mei huang is a Los Angeles based interdisciplinary artist. They use a diverse range of media and strategies including film/video, installation, social interventions, sculpture, writing, and painting. They are interested in the capacity to disarrange systems of prediction based upon otherness and threat. They see slippery, chameleonic identity as a form of infiltration: a soft power reversal within hard architectures of power. They completed their MFA in Art at the California Institute of the Arts (2020), and they received their BA from Scripps College (2016). They recently exhibited at Jeffrey Deitch Gallery, Artists Space (New York), Eli Klein Gallery (New York), the Hauser and Wirth Book Lab, Contemporary Calgary (Calgary), the MAK Center for Art and Architecture, 4th Ward Project Space (Chicago), Los Angeles Municipal Art Gallery, the New Wight Biennial at the University of California Los Angeles, Cerritos Gallery, and the Arizona State University Art Museum (Tempe). They have been supported by the Foundation for Contemporary Arts, J. Paul Getty Trust, Los Angeles Contemporary Exhibitions, The Getty Foundation, the California Community Foundation, among others. They are a contributor to the Contemporary Art Review Los Angeles and Artsy. They have taught at non-profits such as the Marfa Studio of Arts and Venice Arts. They were a participant at the Whitney Museum’s Independent Study Program (2022).